Posts

Session Musician

Image
Welcome back! If you didn't catch my last post, I looked into the career of artist management. Included in that post is an interview I was fortunate enough to conduct with a professional, full-time artist manager. He offered a lot of invaluable insight to me, and I highly encourage you to read it if you didn't get the chance. Tonight, I'm going to be discussing the career of session musician. This is a career that I have a strong personal interest in, and it is one that I have had some experience in as well. I will again be looking at careersinmusic.com to see what their take on the job is. I will then compare what they have to say to the experiences that I have had with it. The following is how the website defines the position:  "A Session Musician backs another artist during live performances or in the studio. He or she must be able [to] sight read and to perform several different genres. Session Musicians are self-employed, so when not performing, they have

Artist Management

Image
Hello again! If you caught my last post, I talked about the importance of adaptation when working in the music industry. I talked about this in two ways: by looking at what Jon Folk of Red 11 Music had to say about being a booking agent, and describing an experience I had myself during one of my sound engineering shifts at Taylor Down Under. Today, I'm going to be analyzing the position of artist manager. I'll do this based off of two sources: the testimony of Matt Phillips, a manager under the firm Silverback Artist Management (who offered his view to careersinmusic.com), and an interview that I was fortunate enough to be able to conduct for my Artist Management class here at James Madison University. The interview was with the manager of an up-and-coming but strikingly successful artist, but for privacy reasons, I will leave them anonymous. The Careers in Music website offers this summary of the position: "In general, job duties involve strategizing and creating

Adapting

Image
Welcome back to the Industream! If you didn't catch my post last week, I talked about a story that was told to me by an industry professional (in which he was in a foreign country on tour with his band and had his briefcase stolen, containing his work visa, money, and passport). You can find that post below. This post is going to be a two-parter- I'll be recounting an experience I had tonight at Taylor Down Under, and I will be analyzing a booking agent's personal account of what it takes to do his job successfully. Jon Folk, Red 11 Music Jon Folk is the founder of Red 11 Music, a booking agency that focuses mainly on country and Americana music. The following quote was obtained from the website "careersinmusic.com" (an invaluable resource for those of you interested in music industry careers!). In it, Folk describes what his day-to-day looks like: “My typical day is in the office during the week, on the phone while answering emails, talking to as many

Welcome to the Industream

Welcome to the first post of my blog! In this post, I'll be examining a story I heard today from an industry professional. For this post, the subject will remain anonymous, but for the sake of convenience I'll call him John.  Years back in the 1980s, John was in a band that was quite successful. They had the opportunity to go on tour on many occasions, and not just in the United States. They were even also lucky enough to have some songs that made it in to the charts for their respective genre. It is my hope that I will be able to reveal this person's identity in a later post, as their career is sprawling and incredibly interesting.  Anyway, John was on tour with his band in Europe. Because the entire trip was being paid for, he decided to head over three weeks early to enjoy a short vacation with his girlfriend. They were set up in an apartment with an incredible view of the city's downtown. Things were going incredibly.  When it came time for his band to perform